Tuesday Tidbits

The Hot Shoe Diaries by Joe McNally has shipped from Amazon, and it is killing me that I picked the slow shipping option.

Joe McNally is also the guest blogger on Scott Kelby’s¬†blog tomorrow.

I found my star washer for my Black Rapid strap. I am pretty sure it is from the 1st time I lost it. It was on the sidewalk in the backyard after the snow melted.

Photoshop World has started. The expo is on, the training classes start tomorrow, and I am pouting about not being there. But then again, the $599 fee to get might have been a factor…

David du Chemin has a video¬†of his backup strategy on his blog. Sigh. Makes me think about how my NAS is still not operational (equivalent-ish to his drobo) and how I haven’t made an off site backup for a long time. I like his idea of the pelican case with the smaller drives per year. Get on that Chris!

Matt Brandon is featured by Photoflex. They have a softbox for hot shoe flashes. The one that Matt used for his shoot is on sale for $79 right now. I think I may have to spring for this.

I got through the rest of my shots from last Wednessdays studio shoot. I need to weed a little bit more, and get them on CD’s for people for tomorrow’s class. I will try to post some of the images too. Last class tomorrow.

Intro to Java Abstract Classes

This entry is part 5 of 13 in the series Intro to Java

Abstract classes are an interesting piece of Java. They can’t be used on their own, and they have a unique place in our code. They are often confused with interfaces, but they provide a great way to prevent code duplication and ensure consistent structures when building an application.

 In this tutorial we want to look at what Abstract classes are and when to use them. We will take a look at the previous Interfaces lesson and see how we could refactor our code from that lesson to use an Abstract class.
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Comedian Alex

Last week at my studio class I had the chance to shoot a family of three.  Once the little girl got tired, I was able to do some head shots of Alex. Turns out, he does improv, and has some great expressions. I put some of them together.

Expressions

He was a pretty funny guy. Anyway, we had pretty typical lighting for what we have been doing. Two photogenics strobes in light boxes. As typical, I don’t think the hair light was positioned correctly.¬† They worked pretty well, but I think they are stronger as a group.

I exported all the images out of Aperture, scaleing them down somewhat. Then I created a new document in photoshop.  I opened all the head shots, then dragged them over to the new one. I created some guides to help me position the images.

I then used the fx layers to create a stroke (middle I think) around each image, and the shadow fx too. I also decided to make it look like all the images were sitting on a page. I expanded the canvas, then created another layer I filled with white. Then I used the shadow fx on the old background layer that was now our inner page to make it stand out.

Whitney Jumping Poster

I was shooting at my studio class and noticed that some people were taking pictures of Whitney jumping. Whitney leads her cheer group, so she is a natural at this kind of thing. We weren’t really set up for this kind of shoot. We were doing head shots before.

Jumping as shot We had a gray muslin background, and the background light was too low and not configured correctly. I would have rathered it had a regular reflector pointing higher at the background. The background wasn’t really high enough either. To change the angle, I stood on a riser, and held my camera above my head. This way I wouldn’t have Whitney’s hands above the background.

We had to photogenics strobes in softboxes at 45deg to her that we had set up for portraits before. They still seemed to cover her well enough.

So I thought that I had a pretty good shot, but I wanted to so something with it. I didn’t like the background, and I needed a way to hide the light, so I decided to cut her out of the background.

This was harder than I thought. Well, actually just time consuming. The quick selection tool was horrible. It kept selecting parts of her. I then tried the magic wand. That was a little better, but there was still much to do. I then spent quite a bit of time with the other selection tools adding and subtracting from my selection.

Jumping on White Once I had her selected, I feathered the edge a few pixels, and then coppied her onto a blank layer. Another layer with a fill of white, and we were almost done.

When I looked at the edges of her legs, there was a bit of a grey line beside her jeans that didn’t look right. I replaced that grey with white. That looked much better.

Then I had an issue with her hair. I managed to “erase” some of her hair (actually did it with a mask) on the right side of her head. But, I am still not sure what to do about the grey that is still between her hair on the left side of her hair. I am sure that would show if printed.

Jumping Cheezy Poster So that wasn’t too bad, and was really what I had started out to do, but now that I had her seperated from the background, could I put her on a different background?

I looked through some older images and found one that was mostly clouds and sky. I then created another image with this sky, and added Whitney in as another layer. Because she was feathered when I cut her out, she placed pretty well on top.

Then, I expanded the canvas to give lots of space around the image. I added a drop shadow to the cloud layer and added the text at the bottom.

Voila. Cheezy poster.

Reminder about Photo Contest

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Just wanted to put out a reminder that I am doing a photo contest to win a chance to go see David Ziser for free. Check out this post. I would expect that I will not be flooded with submissions, so get your images in, and win the first contest on this blog.

Check out the tour site for all the things he will cover.

If you want to register, use promo code: ZCWDWC09 and pay just $59.

See you there!

You Walk too Fast

If you haven’t stumbled upon “Guest Blog Wednesday” on Scott Kelby’s blog, you have been missing out. There have been great posts lately. It’s a fabulous way to find new people to check out, and get get insights from some of the old pros. This week Scott has Jay Maisel.¬† Yes, the Jay Maisel.

He starts by mentioning a conversation he had with an art director, who after looking at his photo’s said “You walk too fast.” This is very interresting. Less because it is so profound, and more becuase I need to keep hearing it over and over. It is so easy to get caught up in trying to get as many shots in as many places as possible. Often it is better to just experience the moment, and capture what’s there without trying to drive the situation.

Anyway, give Jay a read.

iPhone OS 3.0 is coming this summer

iphone1I was just comparing notes with another iPhone user, talking about how we don’t know how we ever did without the thing. I was checking an RSS feed, and sure enough, Ars Technica has a post about the iPhone OS 3.0 that will be out this summer.

This is not a point release. Turn by turn GPS, cut and paste, MMS messages, push notifications, bluetooth connections to other iPhone users, and more API hooks into the default apps for developers to access.

Free upgrade for all iPhoners when it comes out. Sweet. How did I live without this thing?

Lost my Blackrapid Star Washer Again

FastenRAgain! I lost my Blackrapid star washer again. I am starting to get tired of this, and less excited about the strap in general. This happens to me almost every time I use my tripod. See, I usually head out with the camera on it’s strap, holding the tripod on my shoulder, or by one of the legs. I don’t like the idea of swinging the whole contraption around with the camera on top.

So anyway, I take the camera off the strap, and attach it to the tripod. Then sometime later that day, I realize that I am missing part of the FastenR. Crap. Yes, it is my fault. I should tighten the washer against the angle bracket when I take it off the camera, but I keep forgetting to do it. Crap. Do I order another one?

Photoshop Photo Retouching

I am not a pro at this. I would like to be more proficient, so last night I took it upon my self to have a go at retouching a photo. Not just the tweaking of exposure or a curves layer, but what could we do to the photo that a typical model might have done. So, here is the before picture.

portrait before¬†I thought this wasn’t too bad a picture, other than beeing a little dark. I fixed that with a curves layer. I chose the lighten preset. I don’t think I even tweaked it.

What I really wanted to do was things like smoothing the skin, whitening the teeth, and lightening the eyes.

First off, I thought that her skin was pretty good, but I knew that she had complained about not smiling too much because she didn’t want lines in the photos. He she has a nice smile. We can fix the little lines.

First, I selected the healing brush. There were a couple of little marks on her face that I wanted to deal with first. CTRL-click near the mark, then click on the mark it’s self. Done.

Next, the skin smoothing. First I created a new layer by copying the background layer. (Command-J) Then I went to the filters menu, and picked gaussian blur. I set this to 20%. The whole picture looks blurry, but that’s OK, we will apply this to only part of the picture. First lower the opacity of the layer to around 40%. You can adjust this later when we are done. What we need now is a layer mask. Add one to our new layer, then click the white layer mask, and fill it with black Command-Delete. Now the blur should be gone. We will now “paint” it back where we want it. Select a soft brush, that is not too big. You may want to zoom in on the picture. You can change the brush size with [ and ] on the keyboard. Now paint over the skin you want to smooth. Do not get the eyes or mouth. When you are done, play with the opacity of the layer until it looks how you want it.

portrait after¬†You can flatten the layers. Now to the teeth. Her teeth are fairly white – better than mine! Select an area of her mouth, making sure to get all the teeth, but some of her mouth is just fine.

After, create a new adjustment¬†layer for hue/saturation. When that dialog appears, click on the “Edit” dropdown and select Yellows. We are going to remove any yellow cast. Move the saturation slider all the way to the left. Yellow be gone. Now you can move the lightness slider to the right a little. Not too much. They need to stay natural.

If you have a lightened ring around the lips, we will need to fix that. The process is similar to that of the skin. We need to fill the layer mask with black. Click on the mask, Command-Delete to fill with black, and all our work will be un done. Now paint with white in a soft brush before just over her teeth.  Tada! You can flatten the image when done.

Only thing left is her eyes. First was the little bit of red eye. I selected the red eye tool, and clicked on the center of her eyes. Easy. Next was to whiten her eyes. I created a new copy of the background layer again, but this time I picked Screen for the blending mode. The picture immediately got ugly. That’s OK. Once again, create a layer mask, fill it with black. Then zoom in really close to her eyes. You will need a very fine brush to do this. Paint the whites part of her eyes. If you make a mistake, select a black foreground color, and “erase” your mistake. Sometimes this is the easier way to do it. After you are done, zoom out. Her eyes will look scary. You need to adjust the opacity of this layer downward. Move this until they look normal, but brighter. Select/un select the layer to see the before/after of this effect.

There you have it. I probably should have sharpened it too, but I was so proud of myself that I completely forgot. Oh well…

Family Studio Pictures

I got a few pictures from my last studio shoot up now. I got to take pictures of three people. That made for a lot going on. I first shot this family in the studio:

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This was a very squirrelly kid. I got a couple. This was probably the best. Then we shot another photographer, Ms. Cannon. We took pictures in the studio first, then moved out into the hall. I got a couple in the studio, but I had a difficult time getting a good look. She really didn’t want to smile. She didn’t like that look, but she seemed way to serious if I didn’t get some sort of smile from her.

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The goal with this pictures was to get a picture of her with the camera, and the Canon logo.  This was another ring light shot. I liked the ring light shots with the previous model better. There seems to be a difference in the color of the face that I am still trying to figure out.